My theory is based in the realm of the political, I believe artworks have an incredible autonomy and thus, the power to educate. Through my work I want to make issues surrounding politics, society, culture and the economy accessible to all. Through visual imagery I plan to break down the boundaries that many feel exist, isolating them from interacting with these subjects. Combing print media with the construction of objects, my practice aims to provoke discussion, using emotive aesthetics that transform socio-political concepts into visually stimulating bodies of work.
Through establishing a revival of woodcutting; a common-place practice amongst â€˜revolutionaryâ€™ artists of the past. I am embracing the heritage of political printmaking, woodcuts were initially developed due to their accessibility both as a resource and their communicative qualities, which contextually, I continually exploit throughout my practice. Nevertheless, communication in our contemporary society is driven by technology, therefore my latest works try to embrace this, creating culturally relative, digital prints that are then transformed into the physical through archival and museology interests.
I have begun to parallel printmaking with object making, using the prints as coloured and textured drawings before entering them into tangibility, creating sculptural works that impact differently on their audience as they exist in real time as physical pieces. Alongside this I experiment with creating external works outside of the studio setting, pushing my personal relationship with my practice and as I begin to interact with the public. Although these works are often ephemeral, their impact is heightened due to this interaction and their existence in society as a real world setting.